Humidity and Barramundi

I made a little note that afternoon:-

‘This is a different experience from the trip Robin and I did around the Red Centre two-and-a-half-years ago. That was a desert journey; hot dry days, cold dry nights. Here, the tropical humidity saps all energy and stresses the body’s systems, especially the heat-exchanger. The flora of Kakadu are luscious, strong-growing, fecund, sensuous.

Lotuses have a mute, threatening intelligence (like the sun-staring girasole of Italy), the paper-barks seem strangely vulnerable and dainty; and fist-sized mauve-petaled water lilies flower boldly beside their tiny white and cream cousins - naiads consorting with nymphs. Dragonflies pepper the sky like world war one bi-planes, they come at the car in head-on attacks but very rarely hit the windscreen; their relatives, the damsel-flies are tiny strips of blue and red neon on mica wings.

Coarse, broad-leaved grasses give shelter to snakes and long, stiletto lizards who dart suddenly with their heads up, seeking height for vigilance. Other grasses, lining the tracks, are taller than a man and give a deceiving impression of intimacy to the forest that lies behind them. At Jabiru nothing can be seen from the ground that gives direction. No hills; only the sun which rises over forbidden Arnhem Land and swings north to light up the flooded streams of the Alligator rivers.’

At dinner in the Escarpment Restaurant of the Crocodile Hotel I sweet-talked waitress Annabelle into sweet-talking the chef to depart from the set menu and do for me barramundi grilled in olive oil, and steamed potatoes. She did, he did; it was simple and delicious.

As we returned to our room lightning flashed in the southern sky but too far away for its thunder to carry. Instead the night crickets rattled while small lizards hung stencilled on the hotel wall. The air smelled of a subtle perfume.

 

From diary notes: ‘Kakadu and Beyond’

© DON DONOVAN
donovan@ihug.co.nz
.

Jim Jim Falls: Kakadu

Jim Jim Falls

Saturday 27 March

There was a marked change in the weather. We sniffed it as we walked outside our room; a different feeling. The sky had changed, too and instead of there being clear blue above but cloud over the escarpment we now had strings of high cloud overhead, soft feathers against the blue.

We drove out to Jabiru airfield and found Des-of-the-huge-hands sitting in his air conditioned, forest-green cuboid shed; he agreed to take us up.

We lifted off in the Jet Ranger, having waited four days for a break in the weather, and headed south-east towards the escarpment that’s virtually the western boundary of Arnhem Land. From just a few metres above the ground Kakadu National Park was revealed as an open-forested plain stretching limitlessly west, a sameness of trees and shrubs on a vastly flooded grassland base. Nothing could more emphasize that this was the wet season than the straight, red-clay tracks we occasionally flew across that ran into water, to reappear again later, tracks impassable even to four-wheel drive vehicles, their usefulness proscribed by the slightest descent below flood level. Short of foot-trekking (which would be madness) the only way to the waterfalls was by helicopter.

To the east the escarpment rose, at first unimpressively. Its geological importance lies not in its height but in the difference it marks between the Kakadu flood lands and the hard rock crust of Arnhem Land. As we approached the cliffs they became more impressive but again this was not because of their height - no more than 100 - 200 metres - but their length, they stretched to north and south, a forbidding red-rock wall. We flew at no more than 500 metres and hugged the cliffs for a considerable distance until, after passing low over a detached outcrop which came up to meet us, its crazy stones labyrinthine as a brain, we were confronted by Twin Falls, where the escarpment runs east-west. This was the lesser of the waterfalls but grand all the same, its modest plateau stream bifurcated at the lip into sudden turmoil. Des held the Jet Ranger steady as we waited for cloud shadow to pass and then photographed the falls, fully lit by the late morning sun.

Jim Jim Falls are to the east where the escarpment has turned north-south. A much more splendid display than Twin Falls, the waters drop into a self-carved gorge the northerly face of which, this day, was in deep shadow. We were probably a little too early - maybe thirty minutes - but the falls themselves were in full sunlight and as we made our first pass the spray clouds billowing from the base of the fall threw a brilliant rainbow. Then, having passed the rim, above Arnhem Land and looking back towards Kakadu, we could see that the stream that makes the falls seems nothing much at all; Jim Jim Creek - its name both above and below the falls - weaves as a thousand other water courses across the plateau, placid, narrow but not apparently deep, until, like Twin Falls, it hits the edge and turns into a fury.

Des lowered us down the face of the falls until we were almost at the gorge floor, slowly gyrating and moving gradually across the deep and surprisingly still sandy-beached pool at its base. Looking up from there I marvelled (as even a child of the technological age can) at the ease with which we had been above, around and below the falls in a few minutes, seeing it as only a large bird could.

Back over Jabiru we dawdled above the Crocodile Hotel and took pictures. Only from the air, of course, does the crocodile shape become real - and really quite inspired. I still couldn’t work out, though, whether the architect’s motives were born of kitsch, humour or näivety. Probably tongue-in-cheek.

From diary notes: ‘Kakadu and Beyond’

© DON DONOVAN
donovan@ihug.co.nz
.

A Cautionary Tale from Kakadu

Beware! Danger lurks in any unfamiliar environment. A seemingly harmless excursion very nearly turned into a matter of survival when I decided to walk alone to photograph some aboriginal rock drawings in Kakadu National Park in Australia’s Northern Territory. This is an extract from my diary…

‘Friday 26th: I drove from Jabiru to Nanguluwar on the northern side of Nourlangie to visit the Angbangbang rock art gallery. As usual, the car park designated for the tourist attraction was in full sun and at an indecent distance from the rock; 1.7 km to be precise. This was all very well for the sake of ecology, conservation or whatever other reason apart from bloody-mindedness that might be put forward but it takes no account of the elderly, the infirm or even your average tour-bus tourist. Australian National Parks are, I’m sure, deliberately designed for back-packers - tramping types in tight shorts and ankle boots - in fact anybody who resembles the park staff themselves.

As I left the car, having drunk a large amount of water but unwilling to load myself up with any more impedimenta than necessary beyond cameras and tripod, I was amazed at the force of the heat; the hottest yet experienced and exacerbated by airlessness. A short distance along the path I met a forlorn party trailed by a drooping, fat woman who looked extremely distressed. She was staggering, her pinkly blotched flesh slimy with perspiration, hair hanging lank and wet below a felt hat that sat, sweat-stained on the back of her head. She looked at me with the desperate-to-be-beatified eyes of a martyr, ecstatic in suffering, and I smiled encouragingly, whispering: ‘You’re almost there.’

Having seen her, I felt fit and able to undertake any challenge. The walk was easy for the first twenty minutes until the path broke up, ill-defined on harsh, boulder-littered ground among trees. I started to ascend around and over rocks which had fallen from the bluffs, and very soon I was pouring sweat, my pulse thumping fast in my head.

The rock gallery was along a cliff face typically protected by an overhang. There was even less air here and I found breathing an effort as I started to photograph the paintings. They were beautiful and included friezes of ‘x-ray’ fishes and turtles done, apparently quite recently, by ‘Barramundi Charlie’ and ‘Old Nym’ two of the last great rock artists of the region. There was a remarkable illustration of a sailing vessel, evidence of the impact of European and Indonesian intrusions between 1880 and 1950; a leaping figure known as Nabulwinjbulwinj (who kills and eats women) and a weird thing like a stick of celery with legs called ‘Algaiho’ - the ‘Fire Woman’, one of the first people to create the world, who planted shrubs in the woodlands and used their smouldering flowers to carry fire. ‘Algaiho’, it was said, hunted opossums with the help of her pack of dingos and she is still feared by the people of Arnhem Land - where her spirit yet lives - because she kills and burns people. So much primitive fear.


I think Algaiho was at work on me. I was conscious, and only just, of so much sweat pouring off me that my clothing was soaked and when picking up lenses and film from my camera bag which lay on the ground I was having to stand to one side to avoid a constant stream of droplets falling on to the equipment. As I finished the last photograph my vision began to blur, I felt faint and apprehensive. I was alone, losing body fluids fast, and beginning to stumble. As quickly as I could, hoping that I hadn’t left anything behind, I packed up and scrambled, tottering, away from the brooding cliff. I remember taking huge gulps of breath and trying to gather saliva in my mouth. All of a sudden a round trip of just over three kilometres seemed like a day’s march…

I made it, of course, but it taught me lessons: carry water, don’t go alone, don’t overburden yourself. I sat in the oven-like car and drank warm water as I bathed my forehead in the slowly cooling air from the air-conditioning grille. Then after a long time of reflection, frowning and blinking to clear my vision I drove, slowly and carefully back to The Crocodile Hotel at Jabiru to shower and change my clothes.
Perhaps it was worth it to get the photographs but what a fool I’d been; and thank God it hadn’t been a five kilometre walk!’

From diary notes: ‘Kakadu and Beyond’

© DON DONOVAN

donovan@ihug.co.nz
.