Ramblings of a much published New Zealand author

26 November 2009

N.Z. House & Cottage 3. 68 Nairn Street, Wellington

I wrote and illustrated ‘New Zealand House and Cottage’. It was published in 1997. It’s a snapshot of some historic New Zealand homes - both grand and modest - as they were preserved at the end of the 20th century.

I have decided to share some of the entries from the book from time to time on this blog.




68 NAIRN STREET, WELLINGTON


It’s a square box with a ridged pyramidal lid - you could hardly say it was ‘designed’ - and yet it works wonderfully well. As is so often the case, simple practicality produced a satisfying proportion which could so easily have been ruined by ill-considered embellishment. Those dormer windows, if too small or too large, could have spoiled it but on the contrary they fit perfectly: and the only major addition was the verandah - that part under and including the red iron roof - a full frontal hook-on that seriously altered the house’s shape, but fortuitously improved it.

So it’s a handsome cottage by any standards and thanks to a few people with abundant energy and vision it was saved from demolition, and instead of yielding to a car park gained a new lease of life as the Colonial Cottage Museum in 1980.

The reason why 68 Nairn Street is so good is because it was built by a competent, pragmatic tradesman. In his twenties, probably as a journeyman carpenter, William Wallis of Royston, Hertfordshire had applied his skills to the construction of hospitals and barracks for the British army in the Crimean War. There he would have had a concentrated course in practical, economic timber building techniques, valuable experience that would have served him well when planning and fabricating his cottage and, later, running his Manners Street sawmill and Mangaroa Valley timber yard.

Twenty-seven years of age and with the Crimea fresh in his memory, he arrived in New Zealand in 1857 with his young wife and almost immediately bought the land at Nairn Street, nicely elevated above the bustle of the young city and with a fine view of the distant harbour and its surrounding hills.

On a typically steep Wellington hillside section, he built the kauri cottage in 1858. At around the same time their first child was born and thereafter Mrs Wallis, who must have been a formidable woman, produced nine more, placing not only upon herself but also upon the cottage enormous spatial strains which culminated in the additions of a wash house, kitchen and the front verandah in about 1870; and the building of another house next door.


An inside lavatory was incorporated, too, from which event I deduce that for about twelve years the Wallis family, at times of need, come sun or southerly, beat a well-worn path to the dunny at the back fence. There is still, as you can see from my illustration, an outside loo, but it’s a fresh, smart, treated pine replica probably bearing only superficial resemblance to that which was regularly occupied by members of the family.

68 Nairn Street accommodated the Wallises and their descendants for 120 years until 1977. The Wellington City Council then acquired it and over the ensuing years it was lovingly restored (it still has original wallpaper on some walls) by volunteers of the Colonial Cottage Museum Society until it opened as the museum you see today.

© DON DONOVAN
donovan@ihug.co.nz
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Blurb

RANDOM SAMPLINGS F...
By Don Donovan

About Me

My photo

Don Donovan: Biography

I was born on 20 January 1933, nine days before Hitler came to power in Germany, I grew up in south London. Although evacuated during the phoney war and the quieter times I lived in and out of air raid shelters during the blitz and experienced both V1 and V2 attacks on London. Left grammar school in 1948 aged 15 substantially undereducated. I wanted to go to art school but because of family ‘poverty’ joined a commercial art studio in the West End. I was, thereafter, variously a messenger boy, commercial artist and typographer. I was in the Royal Air Force from 1951 to 1953 when the only useful thing I did was to take part in King George VI’s funeral parade.

In 1955 I married Patricia O’Donnell, a RADA graduate, at that time playing opposite Derek Nimmo, they were juvenile leads in a touring repertory company. He went on to great success because he had a funny voice.

We came to New Zealand in 1960 where I worked in advertising. At length I became managing director of one of the companies of whose holding company (the largest domestic advertising complex in New Zealand) I was also a proprietor and shareholder. I left the industry in 1990 when my company was bought out by American interests. My timing was brilliant, at that point my first book had been published and the next was on its way.

We have two daughters and four grand-children.

Now, apart from writing, I function as a self-educated grumpy old man.

Books & Writings

‘New Zealand Odyssey’, with Euan Sarginson, Heinemann-Reed, 1989.

‘One Man’s Heart Attack’, New House, 1990. (A special edition of this book was purchased by CIBA-Geigy for distribution to NZ doctors).

‘Open 7 Days’, Random Century, October 1991.

‘The Good Old Kiwi Pub’ by Saint Publishing in 1995 followed by:
‘New Zealand House & Cottage’ in 1997. (Saint Publishing have also published calendars for the years 1994 to 2004 using my watercolour illustrations).

‘The Wastings’, my first novel was published in July 1999 by Hazard Press. Although an international subject it had very limited distribution, only in New Zealand, and the rights have reverted to me. (Colin Dexter read 'The Wastings' and wrote to me: 'I enjoyed and admired "The Wastings"... a beautifully written work... a splendid debut in crime fiction... More please!'.)

Also the texts of photographic books:
‘Auckland’
‘Colourful New Zealand’
‘New Zealand in Colour’
‘Top of the South’
‘Aoraki-Mt.Cook’
‘Above Auckland’
‘Hauraki Gulf Destinations’
‘Otago’
‘Bay of Plenty’
and a compilation of photographs and quotations titled ‘Anzac Memories’ 2004 all published by New Holland.

My written and illustrated book, ‘Country Churches of New Zealand’ was published in October 2002 by New Holland, who also published ‘Rural New Zealand’ 2004 (photographs and text), and a series of four humorous books of photographs and quotations in 2004 and 2005 titled ‘Woolly Wisdom’, ‘Chewing the Cud’, ‘Fowl Play’, and ‘Pig Tales’. My most recent book was published in August 2006 by New Holland, titled ‘Political Animals’.

Over the years I have written for NZ Herald, Heritage Magazine, Next Magazine and various local and overseas travel and general interest media.

[ENDS]