Ramblings of a much published New Zealand author

Showing posts with label Tasmania. Show all posts
Showing posts with label Tasmania. Show all posts

11 March 2013

Prints For Sale: The Asylum, Port Arthur Convict Settlement, Tasmania


This print is identical to my original drawing.

Size of image is approx. 18 cm x 27 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

Prints For Sale: The Old School of Mines, Zeehan, Tasmania


This print is identical to my original drawing.

Size of image is approx. 20 cm x 24 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

Prints For Sale: Guard Tower, Port Arthur, Tasmania


This print is identical to my original drawing.

Size of image is approx. 27 cm x 21 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

Prints For Sale: The Convict Church, Port Arthur, Tasmania


This print is identical to my original drawing.

Size of image is approx. 19 cm x 26 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

Prints For Sale: The Penitentiary, Port Arthur Convict Settlement, Tasmania


This print is identical to my original drawing.

Size of image is approx. 21 cm x 30 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

Prints For Sale: William Smith O'Brien's Cottage, Port Arthur Convict Settlement, Tasmania


This print is identical to my original drawing.

Size of image is approx. 21 cm x 35 cm.

Price is $NZ 51.00 inc. urban p. and p. in NZ.

Please contact me at donovan@ihug.co.nz or 09 4159 701.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

04 November 2012

Leaves From My Sketchbooks. 77. The Guard House, Port Arthur, Tasmania


This astonishing building was a sketcher's dream for its shapes, colour and texture. I used pen, oil pastel and watercolour washes. I suppose it was designed like this in the nineteenth century to put the fear of God and the British rule of law into the hearts and minds of  convicts who, I'm sure, would not have had the strength to storm its ramparts and battlements.

THIS IS THE LAST of the leaves from my sketchbooks. I have published them as a book titled 'En Plein Air' which may be purchased as a hardback, or is FREE as an e-book for downloading to an iPad or tablet. Go to Blurb.com, enter 'En Plein Air' in the search box, locate my book and, I hope, enjoy it!

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

30 October 2012

Leaves From My Sketchbooks. 72. Highfield House, Stanley, Tasmania

 


The first name of Tasmania was Van Diemen's Land. There's still a Van Diemen's Company that was set up by some 18th century London businessmen to exploit the resources of Tasmania. This house, at Stanley, was built for its manager. Stanley is at the top left corner (north-west if you insist) and must have been horribly remote at its beginnings.

I was reminded of south-west England as I drew this rather dour looking house, although the corrugated iron roof (which I don't think is original) is hardly associated with Cornish architecture. Nearby the a big rock called 'The Nut'. It's an ancient volcanic plug. Quite weird.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

24 October 2012

Leaves From My Sketchbooks. 66. St. Luke's, Richmond, Tasmania


As I was making this drawing my friend Robin was setting up his camera to do what any artist can but most cameras can't - to capture the image without undue perspective, narrowing towards the top.

He had a fancy shift lens on his SLR Leica which was designed to give a front elevation - rather like an architect's rendering. These days it's easy to correct parallax with Photoshop but digital cameras and computer manipulation hadn't been invented when we went to Tasmania.

There's that lovely butterscotch sandstone again; you could almost eat it!

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

22 October 2012

Leaves From My Sketchbooks. 64. Uniting Church, Ross, Tasmania



I could have been sitting in an English landscape but here I was, 20 000 kilometres from Surrey or Devonshire, drawing a church that has its architectural origins firmly based upon the old world. The butterscotch colour of its masonry, such a contrast to England's dull greys, made the day feel warmer.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

21 October 2012

Leaves From My Sketchbooks. 63. The Bridge At Ross, Tasmania



Tasmania is a wonderful island state of Australia, one that has a treasure of Georgian architecture much of it built of local sandstone and using convict labour from the penal settlement days. This beautiful bridge crosses the Macquarie River. A folding stool on a grassy bank was all I needed.

© DON DONOVAN. donovan@ihug.co.nz 
www. don-donovan.blogspot.co.nz
.

13 June 2011

New Zealand Odyssey: The Silversmith's House, Whanganui Inlet

'New Zealand Odyssey', published in 1989 by Heinemann, was authored by me, Don Donovan (who did the text and illustrations) and Euan Sarginson, who did the photography and design. In this series of blog posts, I will publish some of my drawings.




Whanganui Inlet, in the top left hand corner of the South Island, is so remote that this house came as quite a surprise high on its hill in thick bush looking towards the west, the Tasman Sea and Tasmania. Although, for some reason, I couldn't get very close to the house its design looked equally astonishing, in 1988 in a country full of mediocre architecture, this was impressive, imaginative and unique.

It was identified as 'The Silversmith's House' and when, recently, I asked around, I was told that it had probably been built by its first owner, a jeweller, Peter Meirs who now lives in Golden Bay.


© DON DONOVAN
donovan@ihug.co.nz
.

15 August 2009

The Last of the Aboriginal Tasmanians


Tasmania: a delightful travel destination, an island the size of Ireland with a population of less than half a million , good roads, excellent accommodation, a treasury of Georgian architecture, rolling farmlands and herb-fields, romantic wildernesses, mountain lakes, picturesque coastlands and a sinister history of convict settlements. There is an even darker side to Tasmania’s past if you care to look deeper…

THERE ARE NO aboriginal ‘Tasmanians’ left but it’s been estimated that there might have been as many as 4000 natives when the white man first arrived in what was at first called Van Dieman’s Land. For about twenty years, from 1804, when British soldiers at Risdon Cove, near newly settled Hobart, massacred local tribespeople for no good reason, the aborigines were systematically hunted down and murdered by people whose leaders would have considered themselves the cultured and civilized fathers of the colony. It’s hard to imagine that Britons could have practised genocide as a matter of policy but it’s well-documented.

Robert Hughes, in ‘The Fatal Shore’ wrote that by 1830 there were 2000 natives left in Van Diemen’s Land and that the settlers, who thought nothing of killing blacks with clubs, muskets, cutlasses and axes, demanded of Governor Arthur that they be cleaned out once and for all - the sort of ‘Final Solution’ that my generation is all too aware of from the Nazi era of Jewish ‘ethnic cleansing’. The governor called out the military and able-bodied settlers in 1830, lined them across the island and set out on one great ‘pheasant-drive’ to herd the aborigines on to the Tasman Peninsula in the south-east where they hoped to keep them bottled up in a sort of reservation for ever afterwards. The drive failed. The brave beaters managed to catch only a man and boy; the rest had either slipped through the net or never actually existed in great numbers.

The administrators having realized that there were probably far fewer aboriginals than previously thought, re-shaped official policy to one of pacification within which a certain Mr Robinson, a builder from London - who rather felt he’d like to help the natives - set out to collect the straggling tribespeople from the south and beyond the western tiers and re-settle them on Flinders Island in Bass Strait. To do this he needed bell wethers to convince the natives that white folk were not all bad.

Enter Truganini; she was less than 130 cm tall, eighteen years old, bright, cheeky and good looking ‘for an abo’ they said! She had suffered more than most in a heartless world: she’d seen her mother murdered by raiding whites, her sisters had been kidnapped by sealers, her stepmother abducted by convict mutineers and she herself, in 1828, had been raped by convicts after seeing them chop off the hands of her companions and letting them drown. Her self esteem was so low and her dependency so great that she hung around the whites’ work camps, selling her little body for tea and sugar; she was so abused that she was, it is said, sterile from venereal disease.

Mr Robinson, house builder and Governor Arthur’s appointed instrument of aboriginal salvation, enlisted Truganini’s aid to convince her kinsfolk that they could safely put their futures in his hands and so, after five expeditions, the last of the first Tasmanians - the blacks of Van Diemen’s Land - were settled on Flinders Island, lured there by Truganini - not so much a bell wether as a Judas goat - and subjected to all the misplaced zeal that arrogant British missionaries were accustomed to dumping on ignorant natives: bible-bashing, Christianization, reverence for property, learning to read and write - and in the process also learning to forget who they were. Twenty-one years later only sixteen aborigines were left. Truganini was one of them.

She finished her tragic life as something of a public curiosity. She was as interesting, I guess, as today’s endangered species, who only become noticeable when it’s too late. In the case of the Tasmanian aborigines it was far too late and Truganini, and with her her race, died in 1876.

The sanctimonious ratbags of the day gave her a government funeral. But they buried an empty coffin; her remains were actually interred in a vault in Hobart Penitentiary, the official reason being that they ‘feared some public disturbance and didn’t want her tiny corpse demeaned’.

To quote from ‘The Fatal Shore’: ‘In 1878 they dug her up again and sloughed the flesh off her bones, then boiled them and nailed them in an apple crate, which lay in storage for some years. The crate was about to be thrown out when someone from the Tasmanian Museum and Art Gallery read the faded label. The bones were strung together and the skeleton of Truganini went into a glass case in the museum where it remained’… until 1947 when ‘humanitarian sentiment’ caused it to be placed in the basement. In 1976, 100 years after she died, Truganini was cremated and her ashes were scattered in the D’Entrecasteaux Channel west of Bruny Island, her birthplace.

She had a sister, Moorina. I don’t know what happened to her but at least she has an old tin mining village named after her in north-east Tasmania.

Neither Moorina nor Truganini suffered quite the ignominy of the last male Tasmanian aborigine known as William Lanne (who knows his native name?), the putative husband of Truganini. He died in 1869, whereupon a Dr. Crowther, local agent of the Royal College of Surgeons of London, stealing a march on Tasmania’s Royal Society, crept into the mortuary, cut off Lanne’s head, skinned it, removed the skull, put another (white man’s) skull in the skin, substituted it and snuck out.

The no doubt upright and decent members of The Tasmanian Royal Society were naturally upset about all this so they foiled any attempts to steal the remainder of the skeleton by chopping off Lanne’s feet and hands and disposing of them. What was left was then buried but exhumed the next day and dissected. Meanwhile the skull, which the good doctor had sent by sea to London, never arrived. He had packed it in a seal skin and it came to stink so highly that it was tossed overboard.

All in the name of science.

Thomas Hardy wrote ‘If a way to the Better there be, it exacts a full look at the Worst’. I wonder if we’re any better or whether we’d behave just as savagely today as then, given similar circumstances? And I wonder where Truganini ranks in today’s apologies list?

© DON DONOVAN (text only)

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Blurb

RANDOM SAMPLINGS F...
By Don Donovan